EDMUND DULAC HIS AMERICAN WEEKLY COLLECTION 1924-1951
About
In 1923, “Edmund Dulac, the Distinguished English Artist, "as he was billed on the front covers, was contracted by the Hearst organization to paint watercolors for The American Weekly magazine, the Sunday supplement for the newspapers. The contract lasted nearly 30 years. Dulac painted 106 watercolors from 1924-1951 for thirteen different series for The American Weekly. This is Dulac’s largest body of work, and has never before been assembled or published.
This collection includes all full color illustrations used for the front covers and several that were never published. All the images have been restored and printed with high quality inks. The introduction was written by Ann Hughey.
Ann Conolly Hughey was Dulac's bibliographer, and published her edition of his nearly 100 books (Buttonwood Press, 1995). She wrote his history of publishing in America for the introduction of this edition. She was also a collector of Dulac's books, paintings, drawings, stamps and correspondence, and has one of the most complete collections in the world. The American Weekly covers were often cited in her bibliography, and many were featured in full-color in the "Edmund Dulac" biography of Colin White. ( Studio Vista,1976)
This edition compliments their works and will be a welcome addition to Dulac collections.
The American Weekly Covers 1924-1951
1924.....Bible Scenes and Heroes
1925.....Characters From the Arabian Nights
1929.....Famous Vamps of History
1931.....Love Stories the Ancients Believed In
1932.....Enchanting Fairyland Lovers
1933.....Myths the Ancients Believed
1934.....Follies that Destroyed Famous Queens
1936.....Song of Solomon
1937.....Beauty and the Beast
1938.....Fighting Women
1940.....7 Tales From King Arthur's Court
1942.....8 Canterbury Tales
1951.....Tales from The Arabian Nights
Praise for this book
A wonderful tribute to Dulac’s work. The images are beautiful, vibrant, and very high-quality, and they pair perfectly with these timeless stories. Albert Seligman did a fantastic job assembling and restoring this body of art from the Golden Age of Illustration. Highly recommended!